Sewing a Clean-Finish or Turn & Stitch Seam

I often get e-mails asking about certain sewing techniques, especially seams and seam finishes. Usually these requests are really just to clarify terms (such as the word "pink" in relation to sewing). Commercial patterns today assume a certain level of knowledge, so sometimes a pattern will ask you to do something simple, but not actually explain what that 'simple' thing is.

Such is the case with clean-finish seams, sometimes referred to as turn & stitch seams. Clean-finish is just a nice way of saying "don't leave the raw edges visible". It's a good choice to help prevent fraying on light to medium weight fabrics and it's fairly easy to accomplish.

First, iron your seam so that it's both flat and open. You should have done this already, but if you haven't, do it now. Once your seam is ironed, fold the raw edge of the seam allowance to the wrong side of the fabric. You only need to fold it ⅛" to ¼", so don't get carried away. Iron your fold before proceeding. This will keep it from slipping and driving you batty.

Stitch close to the fold to finish your seam. If you like you might want to trim some of the excess, but this is typically unnecessary for this type of seam. Iron your finished turn & stitch seam just to make everything lay flat. It will look prettier this way.

Fairy Tales: Alice in Wonderland

As a seamstress, I find couples hilarious. This one couple in particular made me laugh because they were complete opposite. They came to me wanting to be Alice and the Mad Hatter. Easy enough, right? It should have been, but what started as a normal order quickly became the funniest experience of the year.

It started as most orders start. With the initial visit. I had to measure them both, so I started with the wife. Got her all measured up and we started discussing her costume. It was simple enough because she just wanted the blue dress, made of a heavy cotton, and a white apron, also made out of cotton. She also needed a petticoat trimmed in a cute lace, so we spent some time with lace samples. Her husband sat on the couch and rolled his eyes the whole time. Typical visit.

Then it was his turn to be measured. The measuring went fine. Then out came the fabric. I'll be honest and tell you that it's usually the wife picking the fabrics for the husband. Very few husbands actually care what costumes their wife pick out or what material those costumes are made out of. This husband was certainly not typical.

I pulled out the fabric I'd typically use for the Mad Hatter, but the husband immediately didn't like it. The wife shrugged and went to sit on the couch, so I told the husband to pick out what he'd like. He picked an olive green cotton (not what I'd usually use) for the pants and hat. The blue cotton I was using for the wife's dress was his pick for the tie, vest, and hatband. A white shirt was fine, but he thought it would be nice if the fabric was the same as the petticoat his wife was getting. That was just weird, but okay. But then he found this yellow-orange cotton that he insisted would make an excellent jacket. Okay, then...

By this point, the wife is giggling because the fabric choices weren't what you would call coordinated. And it was only going to get funnier. I pulled out the sketch I'd usually use for the Mad Hatter, one I'd made a dozen times before, but the husband pulled out one of his own. Let's just say they were...different. Mine was streamlined and generally what a husband who didn't exactly what to dress up would appreciate. His was...eccentric.

At this point, the wife is laughing outright. She was laughing so hard she just about fell off the couch, and I was having a hard time of it as well. The husband looked at both of us like we were nuts. Getting myself under control, I took his drawing and promised to do what I could.

Fast forward two weeks and they're back for a fitting. The wife loved her dress and it required only a few moments to take in the waist by a millimeter so it really hugged her. Perfect. The husband tried his on. The pants and shirt fit well enough, as did the vest. As per his drawing, the coat was big and nutty. And too long, but he liked it well enough.

The change he asked for? He wanted me to take my stitch ripper and rough it all up. With the wife giggling, I did so. Only a few tears at first, but with the husband pleading, I must have torn two dozen holes in the thing. As I did so, he threw the hat on the floor and stomped on it. Then he nodded to himself and put the hat on his head. Now I was giggling.

"Ignore him," the wife giggled. "He's always like this. Everything is perfect."

They were just about the happiest couple I've ever had the pleasure of serving. I guess that's what matters.

Movie Projects: Jedi Robes

I'm not sure what's going on lately, but since Halloween I've been bombarded with requests for Jedi robes (from the Star Wars movies, obviously). I love making movie reproductions, don't get me wrong, but this is getting nuts. It's common for there to be requests for fully Jedi and Sith costumes right before Halloween, but I'm not usually asked just for robes, and it's never happened in the three months following Halloween. Something is definitely up.

But what's even stranger is that I'm not asked for true movie reproductions. Most people who contact me about Jedi and Sith costumes are wanting something made of a fabric at least somewhat similar to the ones you see in the movies. They also want a cut that looks like the movies. These days it's simply "Make me a standard robe in brown (or black). I'm using it for a Jedi robe."

What happened to all the people wanting deluxe movie reproductions? They're all waiting for the Halloween season, I guess. These simpler robes are actually easier to make, the fabric much easier on all my machines, and they take far less time. So while I charge less, I actually make more money spending a day making this easier robes than I do if I'm only working on the deluxe versions. So I guess I'm all for this version. Even if the timing and sheer number of them strike me as weird.

Wedding Projects: Cloaks

I don't know what it is, but in the last two years I've been asked to make many cloaks for weddings. In the past two years I've made over a hundred cloaks specifically for local weddings, and I think I've shipped more than twice that number. I'm not counting cloaks used for Halloween, LARP, or any other events in this number. That's just wedding cloaks.

Sometimes I've outfitted just the bride. Other times the entire wedding party needed cloaks (and other assorted garments). All of these have been fun, but the most fun I've had has been working with a lovely bride and a sweet little flower girl. The bride had very specific colors in mind, as most brides do, so the cloak had to be a particular shade of navy. Very particular. Luckily this bride was a joy, so we spent several hours choosing just the right fabrics. Eventually we stumbled upon a heavy navy satin that was just the right shade and had the perfect drape.

Next up was the lining. This was easier, but only slightly. It had to be the brightest white and it had to be incredibly light. The navy satin was already heavy enough. The white also had to serve as the shell of the flower girl's cloak. When we found a satin that would work perfectly, the bride was ecstatic.

Now all we had to find was the perfect lining for the flower girl. For this, the bride also had a very specific idea. White with red hearts. Not pink. Red. After a little searching, I did find a lovely white taffeta with red hearts. Perfect.

A few days later the bride and flower girl were twirling, showing off their new cloaks. The bride was impressed, but the flower girl was ecstatic. I don't think I'll ever tire of working with children. She was the cutest thing.

And as far as I know, the wedding went off without a hitch.